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- Jeremy Turoff This is RF Video’s Shoot Interview with Don Muraco, conducted on 9/26/00 in Sunset Beach Hawaii. The video starts off with
footage of the classic “Entertainment
Tonight” special, where Muraco and Roddy Piper
poke fun at the viewing audience.
Next up are some great promos with Muraco
and Piper (including the historic angle where
Piper saves Gordon Solie from a
“Magnificent” beat down), and another
segment with Wahoo McDaniel.
We then move on to Muraco’s home in
Hawaii, where Rob Feinstein introduces us to the
“Original Rock.”
They proceed to look back at Don’s
wrestling career, and talk about a variety of
subjects: How
Muraco Broke into the Wrestling Business… He’s lived his entire life in Hawaii. An instant wrestling fan, he grew up having access to Chicago’s wrestling programs, watching stars like Hans Schmidt, Verne Gagne, Rocca, and his mentor Lord Blears. He also watched the local wrestling scene, saying it was just like the current WWF without the pyrotechnics and women. Muraco was a high school athlete, and wanted to play football but he jokes that he “wasn’t about to go to school for it.” In 1970, he hooked up with Blears, who sent him to Vancouver for six months wrestling veterans such as Mark Lewin, Dean Ho (Negucci), Bob Brown, and Gene Kiniski. From there, he went to Portland and worked with Lonnie Mayne and Dutch Savage. After a quick stint doing Florida TV with awful payoffs, he went to Los Angeles to visit his folks and find some work there. Mike Labelle and booker Charlie Moto had just shot the Blassie/Tolos blinding angle there. When Muraco returned to Hawaii, Blassie was actually a tenant in the building that his parents owned. He notes the 70s as a great learning experience. Hawaii was doing great
business for such a small population, and Muraco
was having a blast.
Back then, to be successful, you kind of
had to be a natural, but the veterans would
always work with the youngsters.
Ripper Collins, Mayne, Rocky Montero, and
Billy Robinson were great teachers.
King Curtis always took care of him, even
putting him over huge in a big match.
Curtis wanted to keep Muraco in Hawaii,
but Verne Gagne was visiting and convinced Don
to come to Minneapolis.
Working for the AWA ended up being his
big break. Working
for AWA, San Francisco and the NWA Territories Verne was a ruthless promoter who always wanted total control. He’d constantly be fighting with Larry Hennig. Muraco was making good money as a babyface tag team with Jimmy Snuka, but they absolutely hated Minneapolis life, so they left. He met up with Dusty Rhodes on their first trip to Japan. They were both terrified because they were basically being used as bodies for the Japanese stars. After the tour, Muraco went back and forth from San Francisco to the Southeast. After his first Frisco stint, he went to work for Bill Watts in Florida. He was being hyped as “the next Jack Brisco,” as they both had similar looks and builds. He compares the AWA old-timers (noting Ray Stevens as one of the best) with the young talent in Florida such as Dick Slater, the Briscos, Bob Armstrong, and the Mongolian Stomper. Muraco then returned to San Francisco to do some great broadways with Pat Patterson, laughing that Pat blew up early on one occasion. More...
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