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The
Kiel Auditorium (1934 – 1992) - John Edwards The
Henry W. Kiel Municipal Auditorium (AKA Kiel Auditorium) was a St. Louis
landmark for its 58 years of existence at 15th and Market
Streets. This month, instead of carrying on about booking, workrate,
Dusty finishes, and title matches that actually “meant” something, I
will step back and take a look at the building that (at least to me) was
the heart and soul of the St. Louis NWA promotion. First,
some background: Who was Henry W. Kiel? Here are some facts about the
three term former mayor of St. Louis: Henry
W.
Kiel (1871-1942) -- also known as "Father
of the Municipal Opera" -- of St.
Louis, Mo. Born February
21, 1871.
Mayor
of St. Louis, Mo., 1913-25. The Municipal Auditorium in St.
Louis was named for him. Died, from complications of a stroke,
November
26, 1942.
Entombed in mausoleum at Oak
Grove Cemetery, St. Louis County, Mo. Some
thoughts from Harley Race, participant in some of the Kiel’s greatest
matches: “The
Kiel wound up being and was for many years before me, and to say I was a
part of the Kiel in era means a lot to me.” And, a few words on the shiny new plastic building that replaced the concrete, wood, and steel of the “Old Kiel”: The
Kiel Center The
ultra-modern Kiel Center rests on the former site of Kiel Auditorium,
built in 1932 as a municipal auditorium for the citizens of St. Louis.
Designed by St. Louis architects Louis LaBeaume and Eugene S. Klein,
Kiel Auditorium encompassed the adjacent Kiel Opera House and served St.
Louis for six decades as a center for conventions, public meetings,
expositions, sports events and musical performances. According
to a 1934 mayoral proclamation, Kiel Auditorium was "designed to
enrich the peoples' lives and increase their enjoyment and ... add to
the attractiveness and popularity of our City as it will bring to us
great conventions and cultural activities." Originally known as the
Municipal Auditorium, Kiel Auditorium was officially named in honor of
former St. Louis mayor Henry W. Kiel on March 26, 1943. Kiel, a strong
supporter of the arts, had encouraged the idea of a municipal auditorium
and helped that concept become a reality.
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